I don’t write short novels. As a rule. Most of them are quite long, some behemoths.
In fact my epic fantasy novel (with the original title for the whole thing having been “Changer of Days”) weighed in at a quarter million words – and the publisher took one look at it and squawked, “Split that puppy up into two!” That’s how the duology was born, not by design – and the place where it naturally fell into the two volumes was at a terrifying cliffhanger – but that was meant to lead to the next CHAPTER not the next VOLUME and I hope readers forgave me for that. I didn’t do it deliberately.
But I did do a couple of short(er) novels.
“Letters from the Fire“, my searing email epistolary collaboration with the man whom I eventually married is a slight book – at least by my wordy standards, although collaborating with a fairly taciturn co-writer might have contributed to that.
Last year’s “AbductiCon” was another shorty – but it said all it wanted to say, at that.
There’s a new novel in the works for 2017, another shorter one.
I will never really stop writing lush and long. But maybe, just maybe, sometimes fewer words deliver the greater punch.
At Lithub, Emily Temple offers
20 Short Novels to stay up all night reading
Check out her selection at Lithub HERE
I do write a fair number of short stories.
Want to read one of my best, for free? One that earned a Pushcart nomination?
“The Bones of Our Ancestors, the Blood of Our Flowers”
is now available HERE
Self destruction on screen
TiVo recently recorded a movie I was long interested in seeing, “Maleficent.” It was … a major disappointment.
Fantasy and fairy tale are not the same. When a fairy tale is retold well, it is transforms it into fantasy because the basic world of the story has been reworked into something sturdier and more REAL. The original folktale has been deepened and broadened, something gets added.
But the basic fairy tale is a formula — linear and predictable, fairy tales are built solely on tropes and archetypes, and that is all that is asked of them — the sprinkling of fairy dust, the idea of magic, and in most of them the happily-ever-after that follows. In fairy tales there IS no truer true love than the prince and the princess in a rosy glow on their wedding day. You want something more? You have to work harder.
When “Maleficent” first came out, I was interested in the addition of the backstory about the prior relationship between Maleficent and Aurora’s father, and about the destruction of her wings, and how that changed her into the villain we all know. As a writer who counts world-building and character building as utterly essential in the crafting of a good story, I was interested in how they would re-tell the essentially sweet Sleeping Beauty story in the shadow of Maleficent and her stolen wings.
Dear God, what a mess.
Yes there’s a back story but it feels sad and tacked on. The whole fairy kingdom is unbearably twee. And those three fairy godmothers of legend who raised Aurora in the woods are utterly annoying. It is hard to believe that Aurora stayed remotely sane while growing up with those three very trying and very silly creatures.
Then they took one of the great villains of literature and they tried to make her… human. And did a really botched job of that. I find it hard to reconcile the revenge against a reprobate human by telling him “your baby will die”.
None of this makes sense any more — not as a fairy tale, and not as fantasy. And a lot of it becomes an excuse for — whee! — CGI galore and special effects rather than a story vehicle. They took a beloved fairy story, and they CHANGED IT FOR NO PARTICULAR REASON.
The whole idea was supposed to be the Princess and the Prince and True Love’s Kiss. The fairy tale princess isn’t supposed to be woken up by a motherly pressing of lips on her brow. Is this why it was called feminist? Because it is Maleficent’s chaste kiss that wakes the sleeping princess, not that rather dweeby prince who shows up for the job? Come on, people. At least pretend that things make sense in the fairy tale context.
Those wings — they’re supposedly a part of the living creature — hacking them off with a DAGGER would have taken TIME, and dear God, wouldn’t the living creature to whom these things were attached have reacted by waking up to the pain? And just how much value did those wings really have? They’re ripped off and taken as trophies to the old king in the human kingdom — but Maleficent doesn’t seem to have lost an ounce of her magic power, so what purpose did the wingclipping serve?
What was the purpose of rehashing this tale? All they did was unravel and destroy the Sleeping Beauty fairy tale. The Maleficent fantasy just never stepped up to take its place.
And then…Well, we’ll talk about Sherlock later. Watch this space.
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