The writer and sex
In her book, Love and Trouble, Claire Dederer explains how a book review brought her
“an unforeseen gift, or burden: Suddenly everyone wanted to tell me about his or her sex life. I mean everyone. I heard secrets, nonstop, for months.”
What kind of secrets? Well…
Secret 3: A note from a college friend, via Facebook: “Loved the piece. Struck a chord. These days it seems like I want to Do It all the time and [husband’s name redacted] never wants to. I don’t know what to do. Am seriously thinking about having an affair but HOW???? How do you even do that?”
Fascinating excerpt HERE
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The Power of Cautionary Questions:
At BrainPickings, Maria Popova introduces Neil Gaiman’s thoughts on Ray Bradbury’s ‘Fahrenheit 451,’ Why We Read, and How Speculative Storytelling Enlarges Our Humanity
“The abiding splendor and significance of the ideas and ideals at the heart of Bradbury’s classic is what Gaiman explores in a beautiful piece titled ‘Ray Bradbury, Fahrenheit 451, and What Science Fiction Is and Doe.’ It wasoriginally written as an introduction to a sixtieth-anniversary edition of the book and is now included in his altogether magnificent The View from the Cheap Seats:”
One great quote:
“There are three phrases that make possible the world of writing about the world of not-yet (you can call it science fiction or speculative fiction; you can call it anything you wish) and they are simple phrases:
What if … ?
If only …
If this goes on …”
And one more:
“People think, wrongly, that speculative fiction is about predicting the future, but it isn’t — or if it is, it tends to do a rotten job of it. Futures are huge things that come with many elements and a billion variables, and the human race has a habit of listening to predictions for what the future will bring and then doing something quite different.
“What speculative fiction is really good at is not the future, but the present. Taking an aspect of it that troubles or is dangerous, and extending and extrapolating that aspect into something that allows the people of that time to see what they are doing from a different angle and from a different place.”
Read the whole fascinating story at BrainPickings HERE
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10 Easy Ways to Raise a Reader
1) Have books in the house
2) Have many different books in the house
3) Let your reader read what they want (they will find their own level)
4) Be available and willing to discuss things that have been read; answer questions willingly and honestly
5) Be a reader yourself and share your knowledge and your favorites
6) Make language something to play with and enjoy rather than a burden to be ‘learned’
7) Don’t be a reading snob – “high literature” is not the only kind of book there is – if your kid wants to read Asimov don’t insist on Nobel Prize winners, or suggest that nineteenth-century novels have to be read in order for the fun stuff to be accessed
8) Get the kid a library card and encourage the hell out of its full use
9) Make reading something to be proud of, not something to hide from your peers because they will think you are “weird”
10) Love books. Period. It’s’ catching.
Common Sense Media has some more ideas HERE
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I was quite happy to learn that Laurel Book Store, an indie bookstore in California, has a good listing of my books. I wish my local bookstore would do is well.
The stories motto is: A little bit of everything and the ability to get the rest.
Check my books out HERE
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In the Age of Conventions, YA Fans Rule
Publishers Weekly tells us that “Readers are turning out in droves for the chance to meet favorite authors while collecting tchotchkes, autographs, or memorable selfies with artful backdrops.”
And adds:
“Increasingly, marketing YA books means meeting fans where they’re at—online—and in municipal buildings across America: New York, Seattle, or San Diego, Calif., for Comic Con; Charleston, S.C., for YallFest; or at Santa Monica High School in California for YallWest.”
Read the whole story at Publishers Weekly HERE
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Do You Know What These British Words Mean?
Take the Quiz HERE
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